![]() While Pinocchio heads to school, he is seen by Spazzatura, the monkey of Count Volpe, a circus owner. They convince Geppetto that Pinocchio needs to be taken to school to learn to behave, like Podesta’s son Candlewick. Geppetto is confused and is then interrogated by the town’s priest and fascist Podesta (chief magistrate of a commune) working under Mussolini’s regime in 1930s Italy. The townspeople call out Geppetto for witchcraft for creating a wooden boy who can talk, walk, and behave like a real human being, and the two are quickly thrown out of the Church. Defying his wishes, Pinocchio follows him to Church and excitedly introduces himself to the entire town. Geppetto is astounded by this and tries to run away to Church, leaving the boy alone in a cupboard at home. To add to his surprise, Sebastian, the ‘talking’ cricket, tells him that the boy is speaking the truth. As he ventures towards the noise, he is aghast to see the wooden toy he created in a drunken daze to be alive and speaking, not just that, but calling him papa. The next day, he wakes up and is surprised by the noise in his home, where he lives alone. Geppetto finishes the wooden toy and falls asleep. A talking cricket named Sebastian, who created his home in this pine tree, follows the man to tell him to stop ruining his home. Years pass until one day he drunkenly decides to build a “Carlo,” a wooden boy who could replace his son, from a pine tree he grew in memory of his dead son. Carlo is lost in this attack, leaving Geppetto shattered for years. It is war-struck Italy, and Geppetto and Carlo’s small town are suddenly hit by bombs that were dropped out of inconvenience and not to target the town. ‘Guillermo del Toro’s Pinocchio’ Plot Synopsis: What Happens In The Film?Īs the classic tale follows, we meet an old man, Geppetto, and his cherished son, Carlo, who are each other’s everything. Del Toro, who claimed he made this film for his team and himself only, has created what may be one of his best works, bringing a nostalgic but newly ‘crafted’ film for adults who may still enjoy an animated tale in their busy lives. In fact, “Pinocchio” drifts far from the classic right from the get-go, with the wooden boy never wishing to be a real boy and dying about four or five times in the one-hour, fifty-odd minute film. A story that defines the titular character as an “individual” due to his uniqueness rather than an unruly boy who needs to learn to be truthful and identical to other boys to become a “real person” himself takes on a new existence in Mussolini’s fascist Italy. ![]() Over the course of the film, we see the director explore the love between a father and son through many characters and their unique expectations. While the classic tale gives the cautionary message of doing right to become a “real boy” to children, Del Toro’s masterpiece, fifteen years in the making, takes the story up a notch with a tale filled with grief and disobedience. An emotional tale of humanity and a cheerful ode to defiance that might as well be GDT’s magnum opus in the form of breathtaking stop-motion animation, which puts Disney’s scandalous revisitation of the year to shame. Directed by Guillermo del Toro, “Pinocchio,” is an illustrious reimagining of the classic children’s fable from Carlo Collodi and a perfect example of how one puts their own “spin” on something beloved.
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